Thursday, October 8, 2009

Marina Abramovic


Marina Abrmovic. Serbian/Yugoslavian. Self proclaimed Grandmother of performance art.
Notorious for creating artwork that bravely and dangerously processes/confronts pain and misery through ritual.
In 1974 she performed Rhythm 0 in a gallery space where she sat passive and mute for exactly 6 hours. Near her was a table on which she had laid out 72 objects for inflicting either pleasure or torture. As people filtered through the space a sign informed them that they were allowed to use any of these tools as they willed. At first, the audience was squeamish and reluctant, but as time passed their chosen actions became alltogether more and more aggressive. A knife that was present had been used not only to cut off Abramovic's clothes, but to cut up her naked flesh as well. A gun had been loaded with the single bullet offered and pointed at her head before being pulled away by another participant, resulting in an unnerving argument. When the six hours were up Abramovic suddenly stood and walked towards her audience. They fled like children, apparently filled with an abrupt fear of any actual confrontation. Abramovic later stated that if you leave decision to the public, you can be killed.

Wednesday, October 7, 2009

Upside Down Crucifixion of St. Peter



Golden Spider Silk Textile






1 Million Spiders Make Golden Silk for Rare Cloth

A rare textile made from the silk of more than a million wild spiders goes on display today at the American Museum of Natural History in New York City.

To produce this unique golden cloth, 70 people spent four years collecting golden orb spiders from telephone poles in Madagascar, while another dozen workers carefully extracted about 80 feet of silk filament from each of the arachnids. The resulting 11-foot by 4-foot textile is the only large piece of cloth made from natural spider silk existing in the world today.

“Spider silk is very elastic, and it has a tensile strength that is incredibly strong compared to steel or Kevlar,” said textile expert Simon Peers, who co-led the project. “There’s scientific research going on all over the world right now trying to replicate the tensile properties of spider silk and apply it to all sorts of areas in medicine and industry, but no one up until now has succeeded in replicating 100 percent of the properties of natural spider silk.”

Peers came up with the idea of weaving spider silk after learning about the French missionary Jacob Paul Camboué, who worked with spiders in Madagascar during the 1880s and 1890s. Camboué built a small, hand-driven machine to extract silk from up to 24 spiders at once, without harming them.

“Simon managed to build a replica of this 24-spider-silking machine that was used at the turn of the century,” said Nicholas Godley, who co-led the project with Peers. As an experiment, the pair collected an initial batch of about 20 spiders. “When we stuck them in the machine and started turning it, lo and behold, this beautiful gold-colored silk started coming out,” Godley said.

Father Comboué, who one historical text erroneously calls Father Comboné, had a partner in designing his machine, M. Nogué. Together, they got quite a spider silk fabric industry going in Madagascar and even exhibited “a complete set of bed hangings” at the Paris Exposition of 1898. That fabric has since been lost, but the exhibition brought them some attention, excerpted below.

“It should be said that the female halabe allows herself to be relieved of her silken store with exemplary docility and this in spite of the fact that she is distinguished for her ferocity; her usual treatment of the males who pay her court is to eat them and she feasts without compunction on members of her own sex weaker than herself. M Nogue’s apparatus consists of a sort of stocks arranged to pin down on their backs a dozen spiders. The spiders accept this imprisonment with resignation and lie perfectly quiet while the silken thread issuing from their bodies is rapidly wound on to a reel by means of a cleverly devised machine worked by hand.” — Great Britain Board of Trade Journal

“The first experiments of Father Comboné were made in the simplest manner. The spiders were imprisoned in match boxes and by slightly compressing the abdomen he managed to extract and wind upon a little reel turned by hand it thread that sometimes attained a length of 500 yards… it is to the ingenuity of M. Nogue, one of the sub directors, that we owe the apparatus which permits the thread to be wound mechanically and to be twisted and doubled in the quickest and most practical manner. This is done by means of a curious little machine, not easy to describe, in which the spiders are imprisoned by the throat while undergoing the operation. Young Malagasy girls go daily to a park near the school to gather three or four hundred spiders which they carry in osier baskets with wooden covers to be divested of their webs… Generally after having submitted to the reeling operation the spiders are put back in the park for a couple of weeks… [The silk's] color when first spun is a beautiful gold and it requires no carding or preparation of any sort before being woven. Will this be the silk of the future?” — The Literary Digest

But to make a textile of any significant size, the silk experts had to drastically scale up their project. “Fourteen thousand spiders yields about an ounce of silk,” Godley said, “and the textile weighs about 2.6 pounds. The numbers are crazy.”

Researchers have long been intrigued by the unique properties of spider silk, which is stronger than steel or Kevlar but far more flexible, stretching up to 40 percent of its normal length without breaking. Unfortunately, spider silk is extremely hard to mass produce: Unlike silk worms, which are easy to raise in captivity, spiders have a habit of chomping off each other’s heads when housed together.

3-weavingTo get as much silk as they needed, Godley and Peers began hiring dozens of spider handlers to collect wild arachnids and carefully harness them to the silk-extraction machine. “We had to find people who were willing to work with spiders,” Godley said, “because they bite.”

By the end of the project, Godley and Peers extracted silk from more than 1 million female golden orb spiders, which are abundant throughout Madagascar and known for the rich golden color of their silk. Because the spiders only produce silk during the rainy season, workers collected all the spiders between October and June.

Then an additional 12 people used hand-powered machines to extract the silk and weave it into 96-filament thread. Once the spiders had been milked, they were released into back into the wild, where Godley said it takes them about a week to regenerate their silk. “We can go back and re-silk the same spiders,” he said. “It’s like the gift that never stops giving.”

Of course, spending four years to produce a single textile of spider silk isn’t very practical for scientists trying to study the properties of spider silk or companies that want to manufacture the fabric for use as a biomedical scaffold or an alternative to Kevlar armor. Several groups have tried inserting spider genes into bacteria (or even cows and goats) to produce silk, but so far, the attempts have been only moderately successful.

Part of the reason it’s so hard to generate spider silk in the lab is that it starts out as a liquid protein that’s produced by a special gland in the spider’s abdomen. Using their spinnerets, spiders apply a physical force to rearrange the protein’s molecular structure and turn it into solid silk.

“When we talk about a spider spinning silk, we’re talking about how the spider applies forces to produce a physical transformation from liquid to solid,” said spider silk expert Todd Blackledge of the University of Akron, who was not involved in creating the textile. “Scientists simply can’t replicate that as well as a spider does it. Every year we’re getting closer and closer to being able to mass-produce it, but we’re not there yet.”

For now, it seems we’ll have to be content with one incredibly beautiful cloth, graciously provided by more than a million spiders.

Images: 1) AMNH/R. Mickens 2) Nicholas Godley and Simon Peers


Reposted from WIRED.com

Sunday, October 4, 2009

Manuel Orazi - Calendrier Magique









For the coming year of 1896 a "magical calender" was published in editions of 777 colored lithographs. Manuel Orazi provided the amazing illustrations for this calender, which can be seen in it's entirety on the excellent blog: Ephemera Assemblyman.

Wilfried "Satty" Podriech






Thursday, October 1, 2009

Evokative


Harry Clarke

(dedicated to Allison)



Charles Robinson



Frank Brangwyn



Charles Folkard



Kay Nielsen


ALL of this imagery gratefully linked out of Golden Age Comic Book Stories

Saturday, September 26, 2009

Attila Csihar in NYC

Experimental vocalist Attila Csihar performing alongside Sunn O))) at the Brooklyn Masonic Temple recently. This was just one of his outlandish costumes for the night. Unlike most venues in the world, this Masonic temple has no sound restrictions.